No comforting “standards” were on it to reassure buyers wary of new music.įor another, the cover art was a contemporary, abstract painting. For one thing, it was a jazz album with nothing but original pieces. It broke many conventions in achieving that. Led by the hit single “Take Five,” written by alto saxophonist Paul Desmond, Time Out was the first jazz album to sell a million copies. Brubeck’s face had been on the cover of Time magazine in 1954, Jailhouse Rock came out in 1957, and it would still be two years before the Quartet had its incandescent burst into the stratosphere-and into jazz history-with the release of Time Out. The Dave Brubeck Quartet was already one of the hottest ensembles in jazz in the ’50s, playing hundreds of concerts, and releasing multiple LPs, every year. Hollywood knows a good stereotype when it sees one, hick or slick, and “Brubeck” meant cerebral, cool, West Coast. Rather than revealing his ignorance, he barks crudely at her and stalks out. Elvis’s increasing discomfort wells up when the hostess asks his opinion. They toss around lingo like “dissonance” and “atonality,” and the names of some musicians, including that of Dave Brubeck. He’s dragged to a swanky party, where he’s wedged between society snobs who try to look intellectual and hip by discussing modern music. In Jailhouse Rock, Elvis plays an ex-con rube hoping to make it in the music business.
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